There is also a Brechtian one: 'the coat', and a much stronger minimal prison-theatre inside theatre story of 'the island', where the warden and the chains are invisible but palpable, just like the conditions of oppression are invisible but closely felt.
The two earlier ones 'no-good friday' and 'nongogo' are more standard plays, but with a sharp social and political edge, and natural character development: you easily get involved with the story.
There is also a Brechtian one: 'the coat', and a much stronger minimal prison-t 'Sizwe Bansi is dead' is the most theatrical among these plays: creative use of light and set, minimal and complex narration, and the form (role-playing) reflecting the content (somebody taking over the 'role' of a deadman). 'Sizwe Bansi is dead' is the most theatrical among these plays: creative use of light and set, minimal and complex narration, and the form (role-playing) reflecting the content (somebody taking over the 'role' of a deadman).
